SELMA might be unfairly compared to last year’s 12 Years a Slave, due to the content as well as the same producers, however it’s much more reminiscent to the little seen but deservedly still buzzed about films, BLOODY SUNDAY and UNITED 93 by Paul Greengrass. It hits you with the same emotional magnitude and uncovers a new American filmmaker in its director, Ava DuVernay, who is destined to be nominated for Best Director and Best Picture come Oscar season.
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