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DADDIO 🤮

For New Yorkers, there’s perhaps no greater annoyance than a chatty cabbie. There’s a pre-established, customary silence maintained between driver and passenger that is both understood and entirely comfortable. Bearing this in mind, the premise of Christy Hall’s (IT ENDS WITH US, I AM NOT OK WITH THIS) new feature, DADDIO, opens with as cringy concept as the events of its remaining runtime. The film, which premiered at the Tribeca Film Festival (where this journalist caught a screening), was heralded…

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MAXXXINE 🤮

The release of Ti West’s X in 2022 sent welcome shivers down the spines of horror fans hungry for something fresh and surprising. While the film drew heavily upon the gritty nostalgia of TEXAS CHAINSAW MASSACRE and other such exploitative horror films of the mid-to-late 70s, the nostalgia factor felt organic and justified. Add to that MIA GOTH’S remarkable dual performance as budding porn ingenue Maxine Minx and the withered, crazy, sex-crazed Pearl, and the film became an instant classic.…

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