LA CHIMERA, written and directed by Alice Rohrwacher, tells an instantly timeless story through a complex mix of drama, comedy, romance, action, and a bit of magic. Itās simultaneously sleek and stylish, yet gritty and realistic, balancing visual jokes with moments of dread. This movie takes a while to get started (30-40 minutes), but itās incredibly engrossing once it does.
Josh OāConnor shines in his leading role as Arthur, an English archaeologist living in Italy, working with a band of tombaroli ā grave robbers in Tuscany. Arthur isnāt necessarily a likable character; but through OāConnorās performance and Rohrwacherās script, I couldnāt help but feel so much empathy for him. There are a couple of interweaving story arcs in LA CHIMERA, packed full of dynamic, realistic characters. From the quirky treasure hunters and their competitors to Arthurās would-be mother-in-law to the townās residents ā thereās so much life imbued into this film.
I first heard about LA CHIMERA on NPRās Fresh Air, where writer Justin Chang described it as āItalian magical neorealismā ā and that term intimidated me. But after reading about the movement, I see the appeal of the āGolden Ageā of Italian cinema, films focusing on the working class, about the hardships of āpoverty, oppression, injustice and desperation.ā I recently watched BICYCLE THIEVES while visiting my Nani and Nanaās house in Boulder, and see the parallels between Vittorio De Sicaās film and this one. So while Rohrwacher may have intended for LA CHIMERA to be a love letter to this movement, itās part of my introduction; and Iām excited to watch more movies in this genre.
LA CHIMERA is now playing in select theaters.
