A group of self-obsessed, sycophantic twenty-something-year-olds get together to play a deadly game. Sound familiar? ITâS WHATâS INSIDE attempts to achieve the charisma of other iconic horror comedies like BODIES BODIES BODIES, and while it does not necessarily achieve the same charm, itsâ premise and tone are entertaining enough to merit a watch, especially with a run-time of just over an hour-and-a-half.Â
The concept of ITâS WHATâS INSIDE is silly yet thought-provoking, a difficult but necessary dichotomy to achieve for a satire such as this. The psycho-technological gimmick (swapping bodies) that drives the plot is simple enough to understand and blends seamlessly with the editing, special effects, and set design. The visual experience is gratifying and thrilling, similar to TALK TO ME and MALIGNANT.
The âswapping bodiesâ trope also works synchronously with the filmâs message. Where BODIES BODIES BODIES preys on pure human incompetence, ITâS WHATâS INSIDE critiques the modern mix of crushing self-criticism and complete lack of self-awareness. Like the former, it works scarily well.Â
In a horror-comedy, an energetic scene-stealer is a must. With BODIES BODIES BODIES, it was Rachel Sennott, and in ITâS WHATâS INSIDE, Alycia Debnam-Carey delivers a riotous performance as Nikki, the gorgeous, out-of-touch, Instagram influencer.Â
The characters are one-dimensional. The tropes are cheesy. The dialogue is not particularly hilarious. The deaths are not particularly horrifying. And yet, key production design, casting, and writing choices keep ITâS WHATâS INSIDE amusing and true to its satirical nature.Â
If you overthink about it or look too closely, you will start to see its flaws. But, the satisfaction of this film comes from its experience rather than its content, working as a wonderful example that sometimes ITâS not WHATâS INSIDE.Â
Experience ITâS WHATâS INSIDE with a group of your funniest friends whenever on Netflix.Â

