Jason Katims is one of my favorite showrunners. His track record for making shows with āclear eyes, full hearts, ānormally,ā canāt lose.ā Unfortunately, DEAR EDWARD doesnāt soar to the heights of his previous TV series (FRIDAY NIGHT LIGHTS, PARENTHOOD, AS WE SEE IT).
There isĀ a lotĀ of grief in DEAR EDWARD. Generally, with this much loss, I would sob like an episode of THIS IS US. Yet, I didnāt cry. After watching E1-E3, I thought about it, and itās because the show has too much going on. There are way too many characters suffering from grief, and rather than spend time with them intimately, like in THE LEFTOVERS, the show jumps around with one pop music montage after the next. Itās too much. After aĀ hugeĀ tragedy, audiences need time to feel the charactersā loss and burdens. This show is too busy adding more plot progression instead of letting the characters breathe.Ā
Even a mediocre show by Jason Katims is watchable. And seeing him re-team with his FRIDAY NIGHT LIGHTS cast member, Connie Britton, is a blast. The first season of DEAR EDWARD will stay grounded as a subpar TV show, yet Iāll keep boarding this bumpy ride since Iām a fan of their work.Ā
Itās available on Apple TV+.

